Products related to Form:
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The Content of the Form : Narrative Discourse and Historical Representation
Hayden White probes the notion of authority in art and literature and examines the problems of meaning - its production, distribution, and consumption-in different historical epochs.In the end, he suggests, the only meaning that history can have is the kind that a narrative imagination gives to it.The secret of the process by which consciousness invests history with meaning resides in "the content of the form," in the way our narrative capacities transform the present into a fulfillment of a past from which we would wish to have descended.
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Form
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Bad Form
Glasgow crime journalist Lassiter back with even more twists , turns and many, many more surprises.Same shady friends on opposite sides of the law. When is a school not a school? When someone asks Lassiter to investigate it. That's when. London and Glasgow gangsters, Murdered schoolteachers.Shady Policemen. Hagan under threat from London hit man? Why has an old enemy of his suddenly appeared back in Glasgow?The same old enemy who was seemingly involved in the murder of someone Hagan knew back in the sixties.Why is a tough housing scheme school so interesting to a top London politician?When Hagan's family is threatened also the uneasy alliance between Glasgow's criminals and the police resumes.Hold on tight. As usual with Lassiter nothing is what it seems. Especially not at the end!
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Coding, Shaping, Making : Experiments in Form and Form-Making
Coding, Shaping, Making combines inspiration from architecture, mathematics, biology, chemistry, physics and computation to look towards the future of architecture, design and art.It presents ongoing experiments in the search for fundamental principles of form and form-making in nature so that we can better inform our own built environment.In the coming decades, matter will become encoded with shape information so that it shapes itself, as happens in biology.Physical objects, shaped by forces as well, will begin to design themselves based on information encoded in matter they are made of.This knowledge will be scaled and trickled up to architecture.Consequently, architecture will begin to design itself and the role of the architect will need redefining.This heavily illustrated book highlights Haresh Lalvani’s efforts towards this speculative future through experiments in form and form-making, including his work in developing a new approach to shape-coding, exploring higher-dimensional geometry for designing physical structures and organizing form in higher-dimensional diagrams.Taking an in-depth look at Lalvani’s pioneering experiments of mass customization in industrial products in architecture, combined with his idea of a form continuum, this book argues for the need for integration of coding, shaping and making in future technologies into one seamless process.Drawing together decades of research, this book will be a thought-provoking read for architecture professionals and students, especially those interested in the future of the discipline as it relates to mathematics, science, technology and art.It will also interest those in the latter fields for its broader implications.
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How can historical facts be presented in the form of a historical argumentation?
Historical facts can be presented in the form of historical argumentation by organizing them in a logical and coherent manner to support a specific interpretation or thesis about a particular historical event or period. This involves analyzing the facts, identifying patterns or trends, and drawing connections between different pieces of evidence to construct a persuasive argument. By contextualizing the facts within the broader historical context and considering different perspectives, historians can present a well-supported argument that explains the significance and implications of the historical facts being presented. Additionally, using primary sources and citing reputable secondary sources can further strengthen the argument and provide credibility to the historical interpretation.
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What is a Roman coin?
A Roman coin is a form of currency that was used in the Roman Empire. These coins were typically made of precious metals such as gold, silver, and bronze, and featured images of Roman emperors, gods, and symbols of power. Roman coins were used for trade and commerce throughout the empire and played a significant role in the economy. Today, Roman coins are highly sought after by collectors and historians for their historical and artistic value.
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Which Roman coin is this?
The Roman coin in the image appears to be a denarius, which was a silver coin used in ancient Rome. The denarius was first minted in the 3rd century BC and remained in circulation for several centuries. It typically featured the portrait of a Roman emperor on one side and various symbols and inscriptions on the other. The specific emperor and design on the coin would need to be examined to determine its exact identity.
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How can one pay with a collectible coin?
One can pay with a collectible coin by finding a willing buyer who is interested in the specific coin and is willing to exchange goods or services for it. The value of the coin will need to be agreed upon by both parties, and the transaction can be completed by physically exchanging the coin for the agreed-upon value. Alternatively, the coin can be sold to a dealer or collector for its market value, and the proceeds can then be used to make a purchase. It's important to note that some collectible coins may have a higher value as a collector's item than their face value, so it's important to research and understand the value of the coin before attempting to use it as payment.
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Kamen Rider Punk Jack Monster Form S.H.Figuarts Form/Beat
As we are a Japanese shop, please take the following precautions when purchasing certain products. [Precautions when using electrical appliances] When using electrical appliances, please note that the voltage is different from that in Japan and may cause malfunctions. The plug type is Japanese type (A or B type), so please check the voltage before using a transformer. Please note that a transformer is different from a conversion adapter. We are not responsible for malfunctions caused by use without a transformer. Main product contents ・Main body ・Replacement wrist left and right 3 types ・Replacement wrist left and right for Beat Form ・Upper body for Beat Form ・Compound eye parts for Beat Form ・Jaw parts for Beat Form ・Beat raise buckle ・Beat ax ・Compound eyes for entry raise Parts ・Jaw parts for entry raise ・Geets Compound eye parts for Monster Form - Geetz Jaw parts for Monster Form - Geetz Compound eye parts for Beat Form - Jaw parts for Geetz Beat Form Main product materials: ABS/PVC Product size: Overall height: approx. 150mm Target age: 15 years old and up Foo! Fight! I'm Punk Jack! Kamen Rider Punk Jack from Kamen Rider Geets is now available at S.H.Figuarts as a set that can reproduce monster form and beat form! Each part of the armor, head shape, and impressive body color of blue and yellow are faithfully expressed! In addition, the upper body and parts for Beat Form are also included, allowing you to recreate two forms! The cloak on the back uses soft parts and is removable, so it can also be attached to the separately sold Kamen Rider Geets series! In addition, by replacing the parts with the separately sold Kamen Rider Geets Magnum Boost Form and Kamen Rider Geets Entry Rays Form , further form changes of Geets and Kamen Rider Punk Jack Entry Rays Form can be reproduced, and Kamen Rider Geets The series of games is even more fun!
Price: 158.99 € | Shipping*: 0.0 € -
El Sesterzio
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Form : My Autobiography
THE SPORTS BOOK AWARDS INTERNATIONAL AUTOBIOGRAPHY OF THE YEARKieren Fallon was one of the world’s greatest jockeys, but his career was littered with controversial incidents.Now, in his powerful and honest autobiography, he tells all. 'The most eagerly anticipated racing autobiography for many years' Greg Wood, Guardian As a jockey, Kieren Fallon had a unique rapport with his horses, often coaxing them to victory when others had struggled.His skill and commitment made him a punter’s favourite. His magnificent record, which saw him crowned Champion Jockey on six occasions, ensured he became one of racing’s biggest stars. But that was only ever part of the story. Having come over to the UK from Ireland to make his name, Fallon’s combative nature brought him to the attention of the racing authorities.When he dragged a rival jockey off his mount in 1994, he began a series of run-ins that would eventually see him on trial in the Old Bailey, accused of race fixing.Although the judge eventually ruled that there was no case to answer, the damage to his career and reputation had been done. In Form, Kieren Fallon provides a searingly honest account of his life, and the pressures he faced to get to the top of his sport, where winning was never enough, and where relaxation came in the shape of a bottle of vodka or a meal that had to be ‘flipped’ immediately to ensure he maintained his weight.He worked with some of the best trainers and won all the biggest races, but true happiness only ever really came to him when he was on the back of a horse – a joy that he still feels now that he has retired from racing as he rides work early in the morning. Brutally honest as well as entertaining, this is a unique sporting memoir.
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Form, Matter, Substance
In Form, Matter, Substance, Kathrin Koslicki develops a contemporary defence of the Aristotelian doctrine of hylomorphism.According to this approach, objects are compounds of matter (hule) and form (morphe or eidos) and a living organism is not exhausted by the body, cells, organs, tissue, and the like that compose it.Koslicki argues that a hylomorphic analysis of concrete particular objects is well equipped to compete with alternative approaches when measured against a wide range of criteria of success.However, a plausible application of the doctrine of hylomorphism to the special case of concrete particular objects hinges on how hylomorphists conceive of the matter composing a concrete particular object, its form, and the hylomorphic relations which hold between a matter-form compound, its matter and its form.Koslicki offers detailed answers to the questions surrounding this approach to the metaphysics of concrete particular objects.As a result, matter-form compounds emerge as occupying the privileged ontological status traditionally associated with substances, despite their metaphysical complexity, due to their high degree of unity.
Price: 26.99 £ | Shipping*: 3.99 £
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What is an ancient Roman coin?
An ancient Roman coin is a form of currency that was minted and used in the Roman Empire during ancient times. These coins were typically made of precious metals such as gold, silver, and bronze, and featured various designs and inscriptions that reflected the political and cultural values of the Roman society. Roman coins were used for everyday transactions, as well as for propaganda purposes by emperors to showcase their power and authority. Today, ancient Roman coins are highly sought after by collectors and historians for their historical significance and artistic value.
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Which form, the general vertex form or the factored form, is meant?
The question is not specific about which type of form is being referred to. However, if the question is about a quadratic equation, the factored form is meant when referring to the form that expresses the equation as a product of two linear factors. On the other hand, the general vertex form is meant when referring to the form that expresses the equation as a combination of a vertical translation and a horizontal translation of the standard form.
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What is the function in parameter form, zero form and vertex form?
The function in parameter form is typically used to represent a function in terms of its parameters, such as the coefficients and constants that define its behavior. This form is often used in calculus and other advanced mathematical applications. The zero form of a function is a way of expressing it in terms of its roots or zeros, which are the values of the independent variable that make the function equal to zero. This form is useful for finding the solutions to equations and understanding the behavior of the function at specific points. The vertex form of a function is a way of expressing it in terms of its vertex, which is the highest or lowest point on the graph of the function. This form is often used in algebra and geometry to analyze the behavior of quadratic functions.
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When do we use the parameter form, coordinate form, and normal form?
We use the parameter form when we want to represent a line or a plane using a parameter or a set of parameters. This form is useful for describing the position of points on the line or plane in terms of a parameter. The coordinate form is used when we want to represent a line or a plane using the coordinates of points that lie on the line or plane. This form is useful for finding the equation of a line or a plane given specific points. The normal form is used when we want to represent a line or a plane using the normal vector and a point on the line or plane. This form is useful for finding the equation of a line or a plane given the normal vector and a point.
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