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Provenance
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Provenance
Detailed biographies describe the lives of twelve collectors of tribal art in Britain, active between 1770 and 1990.These men were rarely field collectors and only occasional travellers, but they were vigorous hunters, for whom the pursuit, handling and possession of such objects was what mattered. The climax of the period of collecting from around 1880 to 1960 coincided with the maximum extent of Empire, when legions of explorers, missionaries, administrators, traders and military personnel brought back to Britain an inexhaustible quantity of exotic material. The sources for the collections included most of Africa, the Americas and the Pacific, as well as tribal societies in Asia. The collectors described here – a interesting mix of highly individualistic, eccentric and sometimes avaricious men – could, and did, quite reasonably claim that they were saving ethnographic material for the future.This was partly based on the widely held notion that tribal cultures were disappearing and the idea that some museums were negligent and uninterested in ethnography.Several of the collectors eventually created museums themselves, most notably Pitt Rivers. Contemporary illustrations and recent photography of the objects are accompanied by evocative photographs of the collectors amongst their collections.
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Provenance and Early Cinema
Remnants of early films often have a story to tell.As material artifacts, these film fragments are central to cinema history, perhaps more than ever in our digital age of easy copying and sharing.If a digital copy is previewed before preservation or is shared with a researcher outside the purview of a film archive, knowledge about how the artifact was collected, circulated, and repurposed threatens to become obscured.When the question of origin is overlooked, the story can be lost.Concerned contributors in Provenance and Early Cinema challenge scholars digging through film archives to ask, "How did these moving images get here for me to see them?" This volume, which features the conference proceedings from Domitor, the International Society for the Study of Early Cinema, 2018, questions preservation, attribution, and patterns of reuse in order to explore singular artifacts with long and circuitous lives.
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Songs of No Provenance
A suspenseful, wildly engaging debut novel following a musician spiraling in self-doubt and self-searching after a night – and a relationship – gone wrong. Songs of No Provenance tells the story of Joan Vole, an indie folk singer forever teetering on the edge of fame, who flees New York after committing a shocking sexual act onstage that she fears will doom her career.With the threat of an internet storm looming over her, Joan seeks refuge at a writing camp for teenagers in rural Virginia, where she’s forced to question her own toxic relationship to artmaking – and her complicated history with a friend and mentee – while finding new hope in her students and a deepening intimacy with a nonbinary artist and fellow camp staff member.Lydi Conklin boldly explores kink, shame, queer appropriation, fame hunger, cancel culture, trans nonbinary identity and how to make art without ego, all the while asking how Joan might forge a new future for herself. Suffused with flashbacks to a musical underworld as seductive as it is seedy, Songs of no Provenance is a visceral, gutsy and profound debut novel about love, self-acceptance and clawing oneself to safety.
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What is a Roman coin?
A Roman coin is a form of currency that was used in the Roman Empire. These coins were typically made of precious metals such as gold, silver, and bronze, and featured images of Roman emperors, gods, and symbols of power. Roman coins were used for trade and commerce throughout the empire and played a significant role in the economy. Today, Roman coins are highly sought after by collectors and historians for their historical and artistic value.
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Which Roman coin is this?
The Roman coin in the image appears to be a denarius, which was a silver coin used in ancient Rome. The denarius was first minted in the 3rd century BC and remained in circulation for several centuries. It typically featured the portrait of a Roman emperor on one side and various symbols and inscriptions on the other. The specific emperor and design on the coin would need to be examined to determine its exact identity.
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How can one pay with a collectible coin?
One can pay with a collectible coin by finding a willing buyer who is interested in the specific coin and is willing to exchange goods or services for it. The value of the coin will need to be agreed upon by both parties, and the transaction can be completed by physically exchanging the coin for the agreed-upon value. Alternatively, the coin can be sold to a dealer or collector for its market value, and the proceeds can then be used to make a purchase. It's important to note that some collectible coins may have a higher value as a collector's item than their face value, so it's important to research and understand the value of the coin before attempting to use it as payment.
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What is an ancient Roman coin?
An ancient Roman coin is a form of currency that was minted and used in the Roman Empire during ancient times. These coins were typically made of precious metals such as gold, silver, and bronze, and featured various designs and inscriptions that reflected the political and cultural values of the Roman society. Roman coins were used for everyday transactions, as well as for propaganda purposes by emperors to showcase their power and authority. Today, ancient Roman coins are highly sought after by collectors and historians for their historical significance and artistic value.
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Provenance - An Alternate History of Art
This is a fascinating re-examination of the importance and legacy of provenance in the history of art.This book goes beyond the narrow definition of the term provenance, which addresses only the bare facts of ownership and transfer, to explore ideas about the origins and itineraries of objects, consider the historical uses of provenance research, and draw attention to the transformative power of ownership.The result is a volume of essays that makes a strong case for recuperating provenance - what contributing author Anne Higonnet calls "so many epic tales compressed into such dry lists" - for the history of art.Provenance attends to the social life of art, a work's biography subsequent to the moment of its origin. "Provenance" offers a broad perspective, ranging from ancient archaeology to conceptual art, that encompasses Europe, Asia, and the Americas, and considers a variety of media.The essays demonstrate in myriad ways how an owner's relationship with a work of art or, in varying degrees, with the object's previous owners can change irrevocably the way the work will be perceived and understood by future generations.
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Provenance Research Today : Principles, Practice, Problems
Covering key aspects of provenance research for the international art market, this accessible publication, co-published with the International Foundation for Art Research (IFAR), explores a range of themes including challenges and best practice to considerations specific to Nazi looted art and the trade in illicit antiquities. Provenance research is a crucial component of any art-market transaction.Without a provenance it is often difficult to establish a work’s authenticity, its true value or who has legal title.Whether buying, selling or simply maintaining an artwork in either a private or a public collection, the days when a blind eye could be turned to the history (or the lack of a known history) of a work have long gone.Proper, thorough and effective provenance research is the minimum required and demanded in today’s art world – a world that is increasingly recognising the need for greater and more effective self-regulation in the face of fakes, forgeries and challenges to ownership or authenticity that are now commonplace. Provenance Research Today is essential reading for a broad audience, from those studying to become part of the art world or professionals starting a career in provenance research, to collectors or would-be collectors, dealers, galleries, auction houses, police and art lawyers.
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Provenance Research in Book History : A Handbook
Since this handbook was first published in 1994, interest in the book as a material object, and in the ways in which books have been owned, read and used, has burgeoned.Now established as a standard reference work, this book has been revised and expanded with a new set of over 200 colour illustrations, updated bibliographies and extended international coverage of libraries and online resources. It covers the history and understanding of inscriptions, bookplates, ink and binding stamps, mottoes and heraldry, and describes how to identify owners and track down books from particular collections via library and sale catalogues.Each section features an evaluated bibliography listing further sources, both online and in print.Illustrated examples of the many kinds of ownership evidence which can be found in books are also shown throughout.Relevant to anyone seeking to identify previous owners of books, or trace private libraries, this title will also support the work of all book historians interested in the history of reading or the use of books and in the book as a material object.An essential handbook for anyone working in provenance research.
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Björn Meyer Provenance 2017 German vinyl LP ECM2566
BJÖRN MEYER Provenance (2017 German 12-track LP album his third album for ECM with electric and acoustic bass picture sleeve. The sleeve (still in shrink) shows minimal wear and the vinyl appears barely played ECM2566) A1 AdebaranA2 ProvenanceA3 Three ThirteenA4 SquizzleA5 Trails CrossingA6 Traces Of A SongB1 PendulumB2 Banyan WaltzB3 PulseB4 DanceB5 Garden Of SilenceB6 Merry-Go-Round
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How much is this Roman coin worth?
The value of a Roman coin can vary greatly depending on factors such as its rarity, condition, and historical significance. Some Roman coins can be worth just a few dollars, while others can fetch thousands or even millions of dollars at auction. To determine the specific value of a Roman coin, it is best to consult with a numismatic expert or appraiser who can assess its unique characteristics and provide an accurate valuation.
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Can you help me identify a Roman coin?
I can certainly try to help you identify a Roman coin! To do so, I would need some information about the coin, such as its size, weight, any inscriptions or images on it, and any other distinguishing features. You could also try taking clear photos of both sides of the coin and sharing them with me so I can take a closer look. With this information, I can attempt to identify the coin or provide you with some resources to help you further research it.
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What is the name of the Roman coin?
The name of the Roman coin is the "denarius." It was a silver coin that was the standard currency of the Roman Republic and Empire. The denarius was first minted in the 3rd century BC and continued to be used until the 3rd century AD. It was a widely circulated and important coin in the ancient Roman economy.
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How do you clean a Roman bronze coin?
To clean a Roman bronze coin, it is important to first determine the level of cleaning needed. If the coin has light dirt or patina, it can be gently cleaned with a soft brush and warm, soapy water. For more stubborn dirt or corrosion, a solution of distilled water and a mild detergent can be used, along with a soft toothbrush to carefully remove the debris. It is important to avoid using harsh chemicals or abrasive materials, as these can damage the coin's surface and decrease its value. After cleaning, the coin should be thoroughly rinsed with distilled water and allowed to air dry.
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