Products related to Writing:
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The Oxford History of Historical Writing : Volume 5: Historical Writing Since 1945
The fifth volume of The Oxford History of Historical Writing offers essays by leading scholars on the writing of history globally since 1945.Divided into two parts, part one selects and surveys theoretical and interdisciplinary approaches to history, and part two examines select national and regional historiographies throughout the world.It aims at once to provide an authoritative survey of the field and to provoke cross-cultural comparisons.This is chronologically the last of five volumes in a series that explores representations of the past across the globe from the beginning of writing to the present day.
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Guide to Byzantine Historical Writing
This handy reference guide makes it easier to access and understand histories written in Greek between 600 and 1480 CE.Covering classicizing histories that continued ancient Greek traditions of historiography, sweeping, fast-paced 'chronicle' type histories, and dozens of idiosyncratic historical texts, it distills the results of complex, multi-lingual, specialist scholarship into clear explanations of the basic information needed to approach each medieval Greek history.It provides a sound basis for further research on each text by describing what we know about the time of composition, content covered by the history, authorship, extant manuscripts, previous editions and translations, and basic bibliography.Even-handed explanations of scholarly debates give readers the information they need to assess controversies independently.A comprehensive introduction orients students and non-specialists to the traditions and methods of Byzantine historical writing.It will prove an invaluable timesaver for Byzantinists and an essential entry point for classicists, western medievalists, and students.
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Get Started in Writing Historical Fiction
Do you have a compelling vision for a story set in the past?Are you inspired by novelists such as Alan Furst and Philippa Gregory?Get Started in Writing Historical Fiction is designed for anyone who wants to write in this exciting and wide-ranging genre of fiction, whatever your favorite style and era.Designed to build your confidence and help fire up creativity, this book is an essential guide to mastering the practicalities of writing historical fiction, showing you where to start with research, developing your plots, and convincingly and imaginatively capturing the voices of the past.Using Snapshots designed to get you writing quickly, Key Ideas to help crystallize thought, and a wealth of supplementary materials, this indispensable guide will have you telling amazing and rich historical stories in no time.You'll learn to research and plan your story, practice developing characters and settings, perfect your characters' voices, and transport the reader to another era. ABOUT THE SERIESThe Teach Yourself Creative Writing series helps aspiring authors tell their stories.Covering a range of genres from science fiction and romantic novels to illustrated children's books and comedy, this series is packed with advice, exercises, and tips for unlocking creativity and improving your writing. And because we know how daunting the blank page can be, we set up the Just Write online community, at tyjustwrite.com, for budding authors and successful writers to connect and share.
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Writing Egypt : Al-Maqrizi and His Historical Project
Recounts the life of Egypt's greatest historian, analyses his work and assesses its impact then and nowOffers the most complete, probing and layered biography of al-Maqrizi Interprets al-Maqrizi's historical output as a long-term scholarly project revolving around his famous Khitat to capture the entire history of EgyptAnalyses al-Maqrizi's approach and methodologies in light of his beliefs, ethics, feelings, education, social standing, world views, politics and personal circumstancesDistills from al-Maqrizi's massive textual output insights into his theorising, conception of history and the influence of his teacher Ibn KhaldunRestores him to the pinnacle of Mamluk historiographical tradition as an unusually outspoken critic who was animated by his moral rectitudeAlthough al-Maqrizi is recognised as the most influential historian of pre-modern Egypt, he has never received the probing historical treatment warranted by his standing and scholarly output.This book fills that gap. Arranged in three sections, it tells al-Maqrizi's life story in the first, weaves it with historiographical, textual and methodological analysis of his oeuvre in the second, and reconstructs the afterlife of the author and his work down to the present in the third part. al-Maqrizi is presented both as a man of his age who forged a distinct and unique scholarly persona and a historian with a structured and principled project aiming to reconstruct the history of Islamic Egypt in all its facets.His, however, was a critical stance with moral overtones, conceived from within the epistemological framework of a medieval Muslim thinker, which ensured not only his reputation in his own historiographical tradition, but also his reclamation in the modern Egyptian consciousness as one of the most original voices of Egypt.
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What does objective historical writing mean?
Objective historical writing refers to the practice of presenting historical events and information in a neutral and unbiased manner, without personal opinions or interpretations influencing the narrative. It involves relying on factual evidence, primary sources, and scholarly research to accurately depict the past. Objective historical writing aims to provide a balanced and fair account of events, allowing readers to form their own conclusions based on the presented information.
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Is there an objective historical writing?
Historical writing is inherently subjective because it is influenced by the perspectives and biases of the historian. However, historians strive to be as objective as possible by using evidence, sources, and critical analysis to construct their narratives. While complete objectivity may be unattainable, the goal is to present a balanced and accurate portrayal of the past. Ultimately, historical writing is a complex interplay of interpretation, evidence, and perspective, and while it may not be completely objective, it can still provide valuable insights into the past.
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Hello, when writing a historical analysis, should one already in task 2...
Hello, when writing a historical analysis, it is important to have a clear understanding of the historical context and events that are being analyzed. In task 2, it is important to gather and organize relevant historical sources and information to support the analysis. This will help ensure that the analysis is well-informed and supported by evidence from the historical period being studied. Additionally, task 2 provides an opportunity to critically evaluate the sources and determine their credibility and relevance to the analysis. Therefore, it is beneficial to have completed task 2 before writing a historical analysis.
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What are the differences between picture writing, word writing, and alphabet writing?
Picture writing, also known as pictographs, uses pictures or symbols to represent words or ideas. Word writing uses characters or symbols to represent individual words or syllables. Alphabet writing uses a set of letters to represent individual sounds, allowing for the creation of a wide range of words and ideas. While picture writing and word writing are more limited in their ability to represent language, alphabet writing allows for a more flexible and efficient way to convey a wide range of information.
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Writing Historical Fiction : A Writers' and Artists' Companion
Writing Historical Fiction: A Writers’ & Artists’ Companion is an invaluable companion for a writer working in this challenging and popular literary genre, whether your period is Ancient Rome or World War II. PART 1 includes reflections on the genre and provides a short history of historical fiction. PART 2 contains guest contributions from Margaret Atwood, Ian Beck, Madison Smartt Bell, Ronan Bennett, Vanora Bennett, Tracy Chevalier, Lindsay Clarke, Elizabeth Cook, Anne Doughty, Sarah Dunant, Michel Faber, Margaret George, Philippa Gregory, Katharine McMahon, Valerio Massimo Manfredi, Hilary Mantel, Alan Massie, Ian Mortimer, Kate Mosse, Charles Palliser, Orhan Pamuk, Edward Rutherfurd, Manda Scott, Adam Thorpe, Stella Tillyard, Rose Tremain, Alison Weir and Louisa Young. PART 3 offers practical exercises and advice on such topics as research, plots and characters, mastering authentic but accessible dialogue and navigating the world of agents and publishers.
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The Historical Writing of the Mongol Invasions in Japan
The myth that kamikaze, or divine winds, protected Japan against the Mongol invasions of 1274 and 1281 is linked to a belief in absolute victory in the Pacific War in the twentieth century.But what was the representation of a historical past in Japan, and what role did it play as a repertoire of cultural identity before the rise of hyper-nationalism?The Historical Writing of the Mongol Invasions in Japan is about the names for Japan and the Mongols, the commemoration of battle sites and ancestors, and the antiquarian exchanges within confined circles in the seventeenth and eighteenth centuries.In the Tokugawa culture of appearances, historical writing and related genres affirmed status identity.In the first two-thirds of the nineteenth century, the exploits of thirteenth-century warriors served as a model for propagating revolutionary change in Japanese cities, whereas in the 1880s and 1890s, conservative associations appropriated the defense against the Mongol invasions as a symbol of patriotism.The Historical Writing of the Mongol Invasions in Japan thus points to the continuities and ruptures that marked the emergence of a national culture after the Meiji Restoration of 1868.
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The Oxford History of Historical Writing : Volume 3: 1400--1800
Volume III of The Oxford History of Historical Writing contains essays by leading scholars on the writing of history globally during the early modern era, from 1400 to 1800.The volume proceeds in geographic order from east to west, beginning in Asia and ending in the Americas.It aims at once to provide a selective but authoritative survey of the field and, where opportunity allows, to provoke cross-cultural comparisons.This is the third of five volumes in a series that explores representations of the past from the beginning of writing to the present day, and from all over the world.
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The Oxford History of Historical Writing : Volume 2: 400-1400
How was history written in Europe and Asia between 400-1400?How was the past understood in religious, social and political terms? And in what ways does the diversity of historical writing in this period mask underlying commonalities in narrating the past?The volume, which assembles 28 contributions from leading historians, tackles these and other questions.Part I provides comprehensive overviews of the development of historical writing in societies that range from the Korean Peninsula to north-west Europe, which together highlight regional and cultural distinctiveness.Part II complements the first part by taking a thematic and comparative approach; it includes essays on genre, warfare, and religion (amongst others) which address common concerns of historians working in this liminal period before the globalizing forces of the early modern world.
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Why do we use numbers when writing Arabic in roman letters (ABC)?
We use numbers when writing Arabic in roman letters to represent sounds that do not exist in the English language. For example, the Arabic letter "ع" is often represented as "3" because there is no equivalent sound in English. This helps non-Arabic speakers to approximate the pronunciation of Arabic words. Using numbers also allows for a standardized system of transliteration, making it easier for non-Arabic speakers to learn and pronounce Arabic words.
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What is a Roman coin?
A Roman coin is a form of currency that was used in the Roman Empire. These coins were typically made of precious metals such as gold, silver, and bronze, and featured images of Roman emperors, gods, and symbols of power. Roman coins were used for trade and commerce throughout the empire and played a significant role in the economy. Today, Roman coins are highly sought after by collectors and historians for their historical and artistic value.
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Which Roman coin is this?
The Roman coin in the image appears to be a denarius, which was a silver coin used in ancient Rome. The denarius was first minted in the 3rd century BC and remained in circulation for several centuries. It typically featured the portrait of a Roman emperor on one side and various symbols and inscriptions on the other. The specific emperor and design on the coin would need to be examined to determine its exact identity.
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How can one pay with a collectible coin?
One can pay with a collectible coin by finding a willing buyer who is interested in the specific coin and is willing to exchange goods or services for it. The value of the coin will need to be agreed upon by both parties, and the transaction can be completed by physically exchanging the coin for the agreed-upon value. Alternatively, the coin can be sold to a dealer or collector for its market value, and the proceeds can then be used to make a purchase. It's important to note that some collectible coins may have a higher value as a collector's item than their face value, so it's important to research and understand the value of the coin before attempting to use it as payment.
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