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  • Structure
    Structure

    Upon first listen, 'Structure' - with its tendency to turn on a dime from the buzzsaw synths and string arrangements that sonically bookend tracks like 'My Love's', to the subtle, almost Squarepusher-esque rhythms that round out electronic compositions like ''Quotations''- may just seem like a further refinement of the duo's idiosyncratic approach to making music. However, repeat listens will reveal that, even though the album zigs and zags in a manner consistent with WFYE's prior releases, its line of best fit trends in a very clear direction away from the quaint affectations of their prior work and towards something more deliberate and half a shade darker. Even on ostensibly cheery tracks like album opener 'When You're Around', which, with its saccharine melodicism sounds like it could be a lost song from The Apples in Stereo or one of their Elephant 6-era labelmates, there's an underlying eeriness that's not immediately apparent until the song is listened to in the context of the full album.

    Price: 13.99 £ | Shipping*: 3.99 £
  • Structure
    Structure

    Upon first listen, 'Structure' - with its tendency to turn on a dime from the buzzsaw synths and string arrangements that sonically bookend tracks like 'My Love's', to the subtle, almost Squarepusher-esque rhythms that round out electronic compositions like ''Quotations''- may just seem like a further refinement of the duo's idiosyncratic approach to making music. However, repeat listens will reveal that, even though the album zigs and zags in a manner consistent with WFYE's prior releases, its line of best fit trends in a very clear direction away from the quaint affectations of their prior work and towards something more deliberate and half a shade darker. Even on ostensibly cheery tracks like album opener 'When You're Around', which, with its saccharine melodicism sounds like it could be a lost song from The Apples in Stereo or one of their Elephant 6-era labelmates, there's an underlying eeriness that's not immediately apparent until the song is listened to in the context of the full album.

    Price: 19.49 £ | Shipping*: 3.99 £
  • Structure
    Structure


    Price: 43.00 £ | Shipping*: 0.00 £
  • Structure
    Structure

    From 1839 when it was invented, photography has served to create portraits of individuals, and soon thereafter portraits of families, later placed in photo albums.Photography, collected and archived, entered the intimate sphere, enabling people to arrange the fragmented images of their lives as they saw fit.Following its forerunners (miniature portraits, silhouettes, physionotraces), the photographic portrait also served the new expectations of the emerging urban bourgeoisie and its need for social representation.Studios opened up in cities everywhere to meet the fast growing demand.In addition, the new medium distinguishted itself with its esthetic superiority. "Even as it emerged, although the technique was still very primitive, photography enjoyed an exceptional quality of artistic finish (Gisele Freund)".What can photography show us to day of the visible and invisible aspects of family sociology? "How do the roles we expect them to play betray the emotional realities and complexities of lived life?" wonders Daniel Mendelsohn, in his introduction entitled "Unknown Faces/ Redeeming Structures".By creating this corpus of fixed black and white images, each composed in a large 5'x7' frame, the photographer has produced a work of anthropological scope, reaching beyond representation by placing the subject at palpable distance, thereby objectifying it.What should we think of these seemingly impassive faces and their hypnotic gazes, what should we think of these postures, seated or standing?What goes on within these families and outside the frame?The use of a rigid protocol similar in all sessions makes every family portraits intriguing, and encourages our reflection.Inspired by the work of Bernd and Hilla Becher, whose esthetics of objectivity tended towards minimalism, Isabelle Boccon-Gibod, a self-made artist, with an interest for technique, has played with a frontality quite similar to that of the Bechers, resting on the idea that our bodies, when joined together, form a sort of architecture.The idea, also, that a face, deprived of its smile, offers a neutrality of expression worth considering: masks fall and reveal a nakedness (naked truth?) to be admired and deciphered beyond the appearances of social games.She was guided, yet not limited, by this principle: the image of a family seen as a facade-like structure, in which faces are the windows.

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  • How did the social structure change in the Roman Empire?

    The social structure in the Roman Empire changed significantly over time. Initially, it was divided into two main classes: the patricians, who were wealthy landowners and held political power, and the plebeians, who were common citizens with fewer rights. However, as the empire expanded, new social classes emerged, such as the equestrians (wealthy business class) and the freedmen (former slaves who gained their freedom). Additionally, the rise of Christianity led to a shift in social dynamics, as the church became a powerful institution that influenced social hierarchies. Overall, the social structure in the Roman Empire became more complex and diverse as the empire evolved.

  • How did the social structure change from the Roman Republic to the Roman Empire?

    The social structure changed significantly from the Roman Republic to the Roman Empire. In the Republic, the society was divided into two main classes: the patricians, who were the wealthy land-owning aristocrats, and the plebeians, who were the common people. However, with the transition to the Empire, the social structure became more stratified, with the emergence of a new ruling class of emperors and their inner circle. The gap between the rich and the poor widened, and slavery became more widespread, leading to a more hierarchical and unequal society.

  • What did the social structure look like in the Roman Imperial period?

    The social structure in the Roman Imperial period was hierarchical and stratified. At the top of the social hierarchy were the emperor and the ruling elite, followed by the senatorial and equestrian classes. These classes held political power and wealth, and their status was hereditary. Below them were the lower classes, including the urban and rural populations, as well as slaves and freedmen. Social mobility was limited, and individuals were generally born into their social status. The social structure was also heavily influenced by patron-client relationships, where individuals of lower status would seek the protection and support of those higher in the hierarchy in exchange for loyalty and service.

  • What is a Roman coin?

    A Roman coin is a form of currency that was used in the Roman Empire. These coins were typically made of precious metals such as gold, silver, and bronze, and featured images of Roman emperors, gods, and symbols of power. Roman coins were used for trade and commerce throughout the empire and played a significant role in the economy. Today, Roman coins are highly sought after by collectors and historians for their historical and artistic value.

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  • The Ritual Process : Structure and Anti-Structure
    The Ritual Process : Structure and Anti-Structure

    In The Ritual Process: Structure and Anti-Structure, Victor Turner examines rituals of the Ndembu in Zambia and develops his now-famous concept of "Communitas." He characterizes it as an absolute inter-human relation beyond any form of structure. The Ritual Process has acquired the status of a small classic since these lectures were first published in 1969.Turner demonstrates how the analysis of ritual behavior and symbolism may be used as a key to understanding social structure and processes.He extends Van Gennep's notion of the "liminal phase" of rites of passage to a more general level, and applies it to gain understanding of a wide range of social phenomena.Once thought to be the "vestigial" organs of social conservatism, rituals are now seen as arenas in which social change may emerge and be absorbed into social practice. As Roger Abrahams writes in his foreword to the revised edition: "Turner argued from specific field data.His special eloquence resided in his ability to lay open a sub-Saharan African system of belief and practice in terms that took the reader beyond the exotic features of the group among whom he carried out his fieldwork, translating his experience into the terms of contemporary Western perceptions.Reflecting Turner's range of intellectual interests, the book emerged as exceptional and eccentric in many ways: yet it achieved its place within the intellectual world because it so successfully synthesized continental theory with the practices of ethnographic reports."

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  • Word Structure
    Word Structure

    Word Structure, provides a complete introduction to morphology, the study of the structure of words.Word Structure:* examines how words work as part of the language system* encourages readers to take an objective and analytic approach* refers to a wealth of languages, including Turkish and Latin, to illustrate points raised* provides clear and succinct summaries at the end of each unit.

    Price: 25.99 £ | Shipping*: 3.99 £
  • Sentence Structure
    Sentence Structure

    Sentence Structure:introduces the evidence for sentence structure and reveals its purposeis based on a problem-solving approach to languageteaches the reader how to identify word classes, such as noun, preposition and demonstrativeuses simple tree structures to analyse sentencescontains numerous exercises to encourage practical skills of sentence analysisincludes a database and exercises that compare the structure of English with other languages. The second edition of Sentence Structure has been revised and updated throughout and includes new material on tense, aspect, modality and the verb phrase, whilst the order of topics has been rearranged to improve clarity.

    Price: 25.99 £ | Shipping*: 3.99 £
  • Logic and Structure
    Logic and Structure

    Dirk van Dalen’s popular textbook Logic and Structure, now in its fifth edition, provides a comprehensive introduction to the basics of classical and intuitionistic logic, model theory and Gödel’s famous incompleteness theorem.Propositional and predicate logic are presented in an easy-to-read style using Gentzen’s natural deduction.The book proceeds with some basic concepts and facts of model theory: a discussion on compactness, Skolem-Löwenheim, non-standard models and quantifier elimination.The discussion of classical logic is concluded with a concise exposition of second-order logic.In view of the growing recognition of constructive methods and principles, intuitionistic logic and Kripke semantics is carefully explored.A number of specific constructive features, such as apartness and equality, the Gödel translation, the disjunction and existence property are also included.The last chapter on Gödel's first incompleteness theorem is self-containedand provides a systematic exposition of the necessary recursion theory.This new edition has been properly revised and contains a new section on ultra-products.

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  • Which Roman coin is this?

    The Roman coin in the image appears to be a denarius, which was a silver coin used in ancient Rome. The denarius was first minted in the 3rd century BC and remained in circulation for several centuries. It typically featured the portrait of a Roman emperor on one side and various symbols and inscriptions on the other. The specific emperor and design on the coin would need to be examined to determine its exact identity.

  • How can one pay with a collectible coin?

    One can pay with a collectible coin by finding a willing buyer who is interested in the specific coin and is willing to exchange goods or services for it. The value of the coin will need to be agreed upon by both parties, and the transaction can be completed by physically exchanging the coin for the agreed-upon value. Alternatively, the coin can be sold to a dealer or collector for its market value, and the proceeds can then be used to make a purchase. It's important to note that some collectible coins may have a higher value as a collector's item than their face value, so it's important to research and understand the value of the coin before attempting to use it as payment.

  • What is an ancient Roman coin?

    An ancient Roman coin is a form of currency that was minted and used in the Roman Empire during ancient times. These coins were typically made of precious metals such as gold, silver, and bronze, and featured various designs and inscriptions that reflected the political and cultural values of the Roman society. Roman coins were used for everyday transactions, as well as for propaganda purposes by emperors to showcase their power and authority. Today, ancient Roman coins are highly sought after by collectors and historians for their historical significance and artistic value.

  • How is the historical classification of the structure and content of the building carried out?

    The historical classification of the structure and content of a building is carried out through a combination of architectural analysis, historical research, and documentation. Architects and historians study the physical characteristics of the building, such as its construction materials, architectural style, and layout, to determine its historical classification. They also research the building's historical context, including its original purpose, previous uses, and any significant events or people associated with it. This information is then used to classify the building within a historical framework, such as a specific architectural style or period.

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