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Power, Image, and Memory : Historical Subjects in Art
Those who write history determine its narrative, whether through written text or through the visual language of art and public monuments.Power, Image, and Memory examines a wide variety of artistic traditions, showing how art commemorating historical events can shape collective memory, and with it, the identities of social groups and nations.From the Mesopotamians to the present day, leaders and societies have used art to frame and memorialize important events.This account establishes a dialogue among traditions in a series of case studies, ranging from the reliefs at Ramses' temple at Abu Simbel and the ancient Greek "Alexander Mosaic" to the Heian Period Japanese scroll of the Night Attack on the Sanjo Palace, the Benin Bronzes, Diego Velázquez's Surrender at Breda, and Picasso's Guernica.Weaving together meticulous historic detail, theory, and visual analysis, this volume offers a complex picture of the power of art and memory, as well as of the life of these monuments and messages over time, distanced from their original cultures and context.With insights relevant to contemporary debates reexamining historic monuments, Power, Image, and Memory sheds new light on the power of art to shape social memory and identity.
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The Urban Image of Late Antique Constantinople
From its foundation in the fourth century to its fall to the Ottoman Turks in the fifteenth, the city of Constantinople boasted a collection of antiquities unrivalled by any city of the medieval world.The Urban Image of Late Antique Constantinople reconstructs the collection from the time that the city was founded by Constantine the Great through the sixth-century reign of the emperor Justinian.Drawing on medieval literary sources and, to a lesser extent, graphic and archaeological material, it identifies and describes the antiquities that were known to have stood in the city's public spaces.Individual displays of statues are analysed as well as examined in conjunction with one another against the city's topographical setting, in an effort to understand how ancient sculpture was used to create a distinct historical identity for Constantinople.
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Image
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Modern Management Methods – Architecture, Historical Value, and the Electromagnetic Image
Modernists of the early twentieth century were transfixed by the X-ray—a means of seeing through skin into systems of bones and tissue.What, nearly a century later, can X-rays reveal about the systems of modernism itself?Modern Management Methods asks how the value of a building is produced through instruments of expertise, management ideologies, and historical narratives.Through unorthodox survey practices, the project uses the imaging techniques of conservation and the documentary detritus of heritage preservation to show how scientific methods attempt to produce stable notions of history and value.Deploying the medium of the X-ray, Caitlin Blanchfield and Farzin Lotfi-Jam tell two related histories of building conservation, internationalism, and the making of modernist meaning through the architect Le Corbusier’s building Stuttgart’s Weissenhofsiedlung and the United Nations Headquarters in New York City.
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What is a Roman coin?
A Roman coin is a form of currency that was used in the Roman Empire. These coins were typically made of precious metals such as gold, silver, and bronze, and featured images of Roman emperors, gods, and symbols of power. Roman coins were used for trade and commerce throughout the empire and played a significant role in the economy. Today, Roman coins are highly sought after by collectors and historians for their historical and artistic value.
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Which Roman coin is this?
The Roman coin in the image appears to be a denarius, which was a silver coin used in ancient Rome. The denarius was first minted in the 3rd century BC and remained in circulation for several centuries. It typically featured the portrait of a Roman emperor on one side and various symbols and inscriptions on the other. The specific emperor and design on the coin would need to be examined to determine its exact identity.
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What is the function of the image in the historical context?
The function of the image in the historical context is to provide visual documentation and representation of a specific moment in time. Images can serve as a powerful tool for conveying historical events, cultural practices, and societal norms. They can also evoke emotional responses and help to preserve and communicate historical narratives to future generations. Additionally, images can be used to challenge dominant historical narratives and provide alternative perspectives on historical events and figures.
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How can one pay with a collectible coin?
One can pay with a collectible coin by finding a willing buyer who is interested in the specific coin and is willing to exchange goods or services for it. The value of the coin will need to be agreed upon by both parties, and the transaction can be completed by physically exchanging the coin for the agreed-upon value. Alternatively, the coin can be sold to a dealer or collector for its market value, and the proceeds can then be used to make a purchase. It's important to note that some collectible coins may have a higher value as a collector's item than their face value, so it's important to research and understand the value of the coin before attempting to use it as payment.
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After Image
Years after a young woman’s mysterious disappearance, her stepsister is compelled to discover the truth in a novel of haunting psychological suspense. Four years ago, beautiful yet troubled Allie Andersen vanished without a trace.The twenty-one-year-old daughter of an acclaimed actress, her disappearance captivated the media, left her family distraught, and became a fixation for online theorists, who implicated everybody Allie knew and loved.Everyone, including her devoted stepsister, Natasha. Now, Natasha is finally trying to move on. The panic attacks and episodes of hysterical blindness she has suffered since her stepsister’s disappearance have diminished, and she no longer obsesses over the speculations of strangers.Until the remains of a young woman’s body are discovered in a lonely mountain canyon. As Natasha reconnects with the sympathetic Detective Ruiz, inexplicable pieces of evidence surface that open her eyes to a family she thought she knew.It seems that everyone in Allie’s life had a credible motive for wanting Allie to vanish.Following each new clue, Natasha is determined to finally find the truth, wherever it leads, and whatever the cost.
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Ghost Image
Ghost Image is made up of sixty-three short essays - meditations, memories, fantasies, and stories bordering on prose poems - and not a single image.Herve Guibert's brief, literary rumination on photography was written in response to Roland Barthes' Camera Lucida, but its deeply personal contents go far beyond that canonical text.Some essays talk of Guibert's parents and friends, some describe old family photographs and films, and spinning through them all are reflections on remembrance, narcissism, seduction, deception, death, and the phantom images that have been missed.Both a memoir and an exploration of the artistic process, Ghost Image not only reveals Guibert's particular experience as a gay artist captivated by the transience and physicality of his media and his life, but also his thoughts on the more technical aspects of his vocation.In one essay, Guibert searches through a cardboard box of family portraits for clues-answers, or even questions-about the lives of his parents and more distant relatives. Rifling through vacation snapshots and the autographed images of long-forgotten film stars, Guibert muses, "I don't even recognize the faces, except occasionally that of an aunt or great-aunt, or the thin, fair face of my mother as a young girl." In other essays, he explains how he composes his photographs, and how - in writing - he seeks to escape and correct the inherent limits of his technique, to preserve those images lost to his technical failings as a photographer.With strains of Jean Genet and recurring themes that speak to the work of contemporary artists across a range of media, Guibert's Ghost Image is a beautifully written, melancholic ode to existence and art forms both fleeting and powerful - a unique memoir at the nexus of family, memory, desire, and photography.
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Image Managment
The networked image is a slice of network production that is emblematic of the current image economy. As a hub within a techno-social infrastructure it manages the network as a directive tool. This is a result of its existence within a production protocol that is programmed by technologies such as web applications, digital cameras and smartphone apps. Since networked images are part of a specific software, they are marked by software proper- ties, which enables them to be transformed into scripts or protocol.Image management discusses a move from images as representation, to the application of images as productive networked objects. It is about the role of the image as mediator between technological and social protocols.
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Romantic Image
For the past four decades Frank Kermode, critic and writer, has steadily established himself as one of the most brilliant minds of his generation.Questioning the public's harsh perception of 'the artist', Kermode at the same time gently pokes fun at artists' own, often inflated, self-image.He identifies what has become one of the defining characteristics of the Romantic tradition - the artist in isolation and the emerging power of the imagination.Back in print after an absence of over a decade, The Romantic Image is quintessential Kermode.Enlightenment has seldom been so enjoyable!
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What is the interpretation of a historical image from the year 1933?
The interpretation of a historical image from 1933 would depend on the specific content of the image. In general, images from this year could reflect the political and social climate of the time, such as the rise of Adolf Hitler and the Nazi Party in Germany, the impact of the Great Depression worldwide, or significant cultural events. Analyzing the details, context, and symbolism within the image can provide insights into the historical events and attitudes of the period. Additionally, understanding the perspective of the photographer or artist who created the image is crucial in interpreting its meaning accurately.
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What is an ancient Roman coin?
An ancient Roman coin is a form of currency that was minted and used in the Roman Empire during ancient times. These coins were typically made of precious metals such as gold, silver, and bronze, and featured various designs and inscriptions that reflected the political and cultural values of the Roman society. Roman coins were used for everyday transactions, as well as for propaganda purposes by emperors to showcase their power and authority. Today, ancient Roman coins are highly sought after by collectors and historians for their historical significance and artistic value.
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How can one conduct an image observation, image analysis, and image interpretation?
To conduct an image observation, one must carefully examine the image, noting details such as colors, shapes, textures, and patterns. Image analysis involves breaking down the image into its components and identifying relationships between them. This can include identifying the subject, composition, and any symbolism present in the image. Finally, image interpretation involves making meaning out of the observations and analysis, considering the context in which the image was created and the emotions or messages it may convey.
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How much is this Roman coin worth?
The value of a Roman coin can vary greatly depending on factors such as its rarity, condition, and historical significance. Some Roman coins can be worth just a few dollars, while others can fetch thousands or even millions of dollars at auction. To determine the specific value of a Roman coin, it is best to consult with a numismatic expert or appraiser who can assess its unique characteristics and provide an accurate valuation.
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