Products related to Narrative:
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Historical Imagination : Hermeneutics and Cultural Narrative
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Narrative
Human beings have constantly told stories, presented events and placed the world into narrative form.This activity suggests a very basic way of looking at the world, yet, this book argues, even the most seemingly simple of stories is embedded in a complex network of relations.Paul Cobley traces these relations, considering the ways in which humans have employed narrative over the centuries to ‘re-present’ time, space and identity. This second, revised and fully updated edition of the successful guidebook to narrative covers a range of narrative forms and their historical development from early oral and literate forms through to contemporary digital media, encompassing Hellenic and Hebraic foundations, the rise of the novel, realist representations, narratives of imperialism, modernism, cinema, postmodernism and new technologies.A final chapter reviews the way that narrative theory in the last decade has re-orientated definitions of narrative. Written in a clear, engaging style and featuring an extensive glossary of terms, this is the essential introduction to the history and theory of narrative.
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Narrative Sociology
Narrative Sociology defines classics, identifies exemplars of narrative analysis, and delineates a field in the making.
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Narrative Ontology
This book is a critical inquiry into three ideas that have been at the heart of philosophical reflection since time immemorial: freedom, God and immortality.Their inherent connection has disappeared from our thought.We barely pay attention to the latter two ideas, and the notion of freedom is used so loosely today that it has become vacuous.Axel Hutter’s book seeks to remind philosophy of its distinct task: only in understanding itself as human self-knowledge that articulates itself in these three ideas will philosophy do justice to its own concept. In developing this line of argument, Hutter finds an ally in Thomas Mann, whose novel Joseph and His Brothers has more to say about freedom, God and immortality than most contemporary philosophy does.Through his reading of Mann’s novel, Hutter explores these three ideas in a distinctive way.He brings out the intimate connection between philosophical self-knowledge and narrative form: Mann’s novel gives expression to the depth of human self-understanding and, thus, demands a genuinely philosophical interpretation.In turn, philosophical concepts are freed from abstractness by resonating with the novel’s motifs and its rich language. Narrative Ontology is both a highly original work of philosophy and a vigorous defence of humanism.It brings together philosophy and literature in a creative way, it will be of great interest to students and scholars in philosophy, literature and the humanities in general.
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What is a historical narrative?
A historical narrative is a form of storytelling that presents a sequence of events from the past in a coherent and compelling manner. It typically aims to convey a particular interpretation or perspective on historical events, often incorporating primary sources and scholarly research to support its claims. Historical narratives can take various forms, including books, articles, documentaries, and museum exhibits, and they play a crucial role in shaping our understanding of the past. By presenting a chronological account of events and analyzing their significance, historical narratives help us make sense of the complexities and nuances of history.
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What is the difference between narrative form and narrative perspective?
Narrative form refers to the structure and style in which a story is presented, including elements such as plot, setting, and character development. Narrative perspective, on the other hand, refers to the point of view from which the story is told. This can include first person, second person, or third person perspectives, and can also involve the use of unreliable or omniscient narrators. In essence, narrative form encompasses the overall structure and organization of the story, while narrative perspective focuses on the specific viewpoint from which the story is being told.
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What are narrative threads?
Narrative threads are the different storylines or plot elements that run through a piece of writing or a work of art. These threads help to weave together the overall narrative and create a cohesive and engaging story for the audience. By following these threads, readers or viewers can track the development of characters, conflicts, and themes throughout the work. Narrative threads can intersect, diverge, or come together to create a complex and multi-layered storytelling experience.
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What is the difference between a frame narrative and an embedded narrative?
A frame narrative is a story within a story where an overarching narrative serves as a frame for one or more smaller stories. The frame narrative provides context and structure for the embedded narratives. On the other hand, an embedded narrative is a smaller story that is contained within a larger narrative. It is usually used to provide additional depth or background information to the main story.
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Narrative CD
Narrative CD
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Victorian Dress in Contemporary Historical Fiction : Materiality, Agency and Narrative
Victorian Dress in Contemporary Historical Fiction is the first full-length study to investigate and attend to the deeply suggestive and highly symbolic iterations of Victorian women’s dress in the contemporary cultural imagination.Drawing upon a range of popular and less well-studied neo-Victorian novels published between 1990 and 2014, as well as their Victorian counterparts, 19th-century illustrative material, and extant Victorian garments, Danielle Dove explores the creative possibilities afforded by dress and fashion as gendered sites of agency and affect.Focusing on the relationship between texts and textiles, she demonstrates how dress is central to the narrativization, re-formulation, and re-fashioning of the material past in the present.In its examination of the narrative trajectories, lively vitalities, and material entanglements that accrue to, and originate from, dress in the neo-Victorian novel, this study brings a fresh approach to reading Victorian sartorial culture.For researchers and students of Victorian and neo-Victorian studies, dress history, material culture, and gender studies, this volume offers a rich resource with which to illuminate the power of fashion in fiction.
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The Content of the Form : Narrative Discourse and Historical Representation
Hayden White probes the notion of authority in art and literature and examines the problems of meaning - its production, distribution, and consumption-in different historical epochs.In the end, he suggests, the only meaning that history can have is the kind that a narrative imagination gives to it.The secret of the process by which consciousness invests history with meaning resides in "the content of the form," in the way our narrative capacities transform the present into a fulfillment of a past from which we would wish to have descended.
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Unbelievable : The Gospel Texts in Narrative Tradition and Historical Context.
The New Testament has had a profound impact on Western society.But what do we actually know about its evolution? In what context did the texts originate? Who was Jesus, and how did he become the 'Son of God'?Were the four evangelists reliable witnesses? Why are there so many inconsistencies and contradictions in the New Testament?Unbelievable: The Gospel Texts in Narrative Tradition and Historical Context. explores the traditions and historical reality behind the New Testament, shedding a whole new light on the biblical stories.This book is aimed at interested readers who want to learn how the New Testament came into being, and how it has moulded our societies.Although it is based on sound scholarly research, Unbelievable seeks primarily to appeal to a broad audience.Its style and clear language enable the reader to gain insight into the historical and literary contexts from which these texts emerged, and how they have shaped all Western cultures.
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What is the narrative style and narrative perspective in "Holes" by Louis Sachar?
The narrative style in "Holes" by Louis Sachar is straightforward and engaging, with a focus on the present events and the characters' experiences. The story is told in a linear fashion, with a clear cause-and-effect structure that keeps the reader engaged. The narrative perspective is third person omniscient, allowing the reader to gain insight into the thoughts and feelings of multiple characters, which adds depth to the storytelling. This perspective also allows the reader to see how the different characters' stories intertwine and impact each other.
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What narrative perspective is this?
This is a first-person narrative perspective, as the narrator is telling the story from their own point of view using "I" and "me." This allows the reader to experience the events and emotions of the story through the narrator's personal lens, providing a more intimate and subjective understanding of the events.
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Which narrative perspective is this?
This is written in the first-person narrative perspective, as the narrator uses pronouns like "I" and "my" to tell the story from their own point of view. This perspective allows the reader to directly experience the thoughts, feelings, and experiences of the narrator, creating a more intimate and personal connection with the story.
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What is a narrative frame?
A narrative frame is a literary technique used to structure a story within a larger context. It involves the use of a framing device, such as a prologue, epilogue, or a story within a story, to provide a framework for the main narrative. This technique allows the author to set the stage, provide background information, or create a sense of distance between the reader and the main story. By using a narrative frame, the author can add depth and complexity to the storytelling, and engage the reader in a more immersive and layered experience.
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